Interior designCharleston, South CarolinaSince 2011

Warm rooms,slowly made.

A back parlor in late afternoon light: a bouclé sofa with plaid wool cushions, linen curtains, a gilt-framed landscape and two beeswax tapers on an old pine chest.

We design houses that feel collected over forty years, not delivered on a Tuesday. Limewashed walls, old wood, linen that softens with every wash, and a team that stays until the last picture is hung.

A brass kitchen tap running into a deep sink, with a bowl of red apples on a walnut counter and linen café curtains behind.
Left: a brass tap, left unlacquered so it darkens where hands touch it. Right: the back parlor at Tradd Street, four o'clock.

01The philosophy

Celia Ravenel opened the studio on Elm Row in 2011, after ten years restoring old houses up and down the peninsula. There are nine of us now, and one rule: restore before you replace.

Celia RavenelFounder & principal designer

We start with the light, with the oldest thing in the house, and with how you actually live. Then we take our time.

140houses finished since 2011, most within a mile of the studio
9designers, drafters and one very particular upholsterer
23painters, joiners and plasterers we have trusted for a decade
48hours to install a whole house, from first box to last picture

02House tour

The Tradd Street House

A 1794 single house south of Broad, put back together for a family of five and one elderly spaniel.

Built
1794, a Charleston single house
Brief
"Keep the heart pine. Lose the gloom."
Time
Fourteen months, nine rooms
Trades
Eleven, all local

Keep scrolling

A front parlor with a cognac velvet sofa, a blue wool armchair, a pleated lamp and olive linen curtains at a tall sash window.

01

The front parlor

Cognac velvet, olive linen and the original heart pine floor, sanded once and oiled twice. The pleated lamp came from an estate sale on Wadmalaw; the armchair is new and pretends it isn't.

  • SofaRe-covered in cotton velvet, 14 yards
  • CurtainsOlive linen, interlined, hand-pleated
  • WallsLimewash in Oyster Shell, two coats
CognacCotton velvet
OliveLinen
Oyster ShellLimewash
A kitchen corner with green-grey beadboard and cabinets, an unlacquered brass bridge tap, butcher-block counters, baby's breath and a lit candle.

02

The kitchen

We kept the old cabinet boxes, rebuilt the doors in beadboard and painted everything Marsh Hen, a green-grey that goes nearly black at dusk. The brass bridge tap will darken where hands touch it, which is the point.

  • CabinetsMarsh Hen, hand-brushed eggshell
  • TapUnlacquered brass, made in England
  • CountersEnd-grain maple, oiled monthly
Marsh HenEggshell paint
BrassUnlacquered
MapleEnd grain
A sunny breakfast corner with a small sprig-patterned wallpaper, a round pedestal table, two spindle-back chairs, a wooden bench and a bowl of apples.

03

The breakfast room

Morning light reaches this corner first, so we let it do the work: a block-printed sprig paper in Benne Seed, a pedestal table found in Summerville and the spindle chairs the family already owned.

  • PaperBenne Seed sprig, block printed
  • TablePine pedestal, about 1890
  • BenchMade by our joiner from a barn beam
Benne SeedWallpaper
Heart pineOiled floor
RushSeat cushion
A bedroom under the eaves with a blue hydrangea wallpaper, linen pinch-pleat curtains, scalloped and striped pillows, two pale lamps and a navy waffle throw.

04

The garret bedroom

Up under the eaves: a hydrangea paper, pinch-pleat linen and not one pillow without a ruffle or a scallop. Navy waffle wool for January, Belgian flax for August.

  • PillowsTicking and scalloped linen, sewn in house
  • ThrowWaffle wool, woven in North Carolina
  • LampsStoneware, by a potter on Johns Island
HarborTicking stripe
NavyWaffle wool
FlaxBelgian linen
"The house finally feels like it's on our side."
Margaret Hartley, Tradd Street Begin a project
Scroll to walk through 4 rooms · 14 months

03Services

Three ways to work with us.

Most clients start with the design hour and end up with the whole house. Some stop at the kitchen. All three come with the same people and the same standards.

  1. i.

    The whole house

    Every room, every lamp, every hinge. We draw it, cost it, order it, run the trades and install it all in two days.

    Fee
    from $38,000
    Time
    9–18 months
  2. ii.

    A room, properly

    A kitchen, a primary suite, the parlor nobody sits in. Full drawings and a costed list you can buy through us or on your own.

    Fee
    from $8,500 a room
    Time
    10–14 weeks
  3. iii.

    The design hour

    Two hours in your house with a senior designer. Bring the paint chips and the arguments; we leave a written list of what to do next.

    Fee
    $350, credited later
    Time
    Within three weeks
  1. 01

    Week one · two hours

    Consult

    We sit at your kitchen table, walk every room and ask how you actually live: who reads, who cooks, where the dog sleeps. Then we measure everything twice.

    • A written brief
    • A fee proposal
    • An honest budget
  2. 02

    Weeks two to ten

    Concept

    Floor plans, elevations and a sample box you can hold: real cloth, real paint on real board, real wood. Then a costed schedule of every piece, so nothing surprises you in month nine.

    • Plans and elevations
    • The sample box
    • A costed furniture schedule
  3. 03

    The last forty-eight hours

    Install

    Everything is received, checked and stored at our warehouse in North Charleston, then installed in two days. You leave in the morning. You come home to beds made and pictures hung.

    • Delivery and assembly
    • Art hung, beds made
    • A binder of every source

04Selected houses

Other houses, the same light.

We take on eleven houses a year, mostly on the peninsula and the sea islands, with the odd one in Savannah when the house is too good to say no to.

A breakfast nook painted near-black, with a round oak table, rattan chairs with ticking cushions, white ranunculus and a cone pendant.
Wadmalaw farmhouseBreakfast nook in Pluff Mud · 2025
A calm bedroom with a grasscloth wall, a low walnut bed, striped wool pillows and a rust knitted throw.
Sullivan's Island cottageGrasscloth bedroom · 2024
A quiet reading corner with a tan leather lounge chair and ottoman, a linen floor lamp and a steaming mug by a sash window.
Ansonborough townhouseA reading corner · 2023

"Every house we take on gets a person, not a portal. Your designer answers the phone."

Ask about your house

05Sources

The sample board.

Every project gets a box like this, posted to your door before anything is ordered: real cuttings, real paint on real board. These are the ones we reach for most.

Walls
Limewash, mixed by hand in the studio
Wood
Heart pine from a Georgetown rice mill
Cloth
Belgian linen, cotton velvet, ticking
Metal
Unlacquered brass, left to age
Stone
Honed travertine, never polished
Oyster Shell limewashWalls · two coats

Lime putty and crushed shell, brushed in crosshatch so the wall moves with the light all day.

Cognac velvetUpholstery

Cotton, not poly: it crushes and softens like a good saddle.

Unlacquered brassHardware

Bright for a month, then honey, then brown where you touch it.

Belgian flaxCurtains, bedding

Washed twice before we sew it, so it never shrinks on you.

Harbor tickingPillows

A narrow navy stripe for porch pillows and children's rooms.

Reclaimed heart pineFloors · 1794 and earlier

Dense, resinous and older than the country. We patch, never replace.

Marsh HenEggshell paint

Our house green-grey, nearly black at dusk.

RushSeats

Woven by hand in Kingstree, re-woven every twenty years.

Honed travertineBaths, hearths

Unfilled, so the small pits catch shadow and look like age.

Benne Seed sprigWallpaper · block printed

Drawn in the studio from a scrap of 1830s paper found behind a mantel.

Navy waffleWool throws

Heavy enough for January, open enough for March.

06In print

Press

Ravenel has a rare gift: her rooms look as if the house grew them, slowly, over a hundred years.
Lowcountry House & Garden · March 2026
  • 2025
    Coastal QuarterlyCover story: the Sullivan's Island cottage
  • 2025
    The Southern Room"Twelve designers who still pick up the phone"
  • 2024
    Palmetto & Pine"The case for limewash," with the Tradd Street parlor
  • 2023
    Lowcountry House & GardenResidential designer of the year

"We moved in on a Thursday afternoon. By dinner it felt like we'd lived there for years."

Margaret Hartley, Tradd Street

07Begin a project

Tell us about the house.

Sallie Manigault reads every note herself and replies within two working days. If it's a fit, the first conversation is a phone call. The second is at your kitchen table.

Studio
18 Elm Row, Charleston, SC 29401
Hours
Tuesday to Friday, 10–5, by appointment
Phone
(555) 012-6194

A few questions

What's involved